Kate Mieko Ward
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| FILM | ||
| PRODUCTION | DIRECTOR | |
| THE LAST JAZZ MUSICIAN (short) | Lloyd Handley | |
| THEATRE | ||
| PRODUCTION | DIRECTOR | COMPANY |
| AN IDEAL HUSBAND | Braham Murray | Royal Exchange Theatre, Manchester |
| THE WEDDING PARTY | Lily Susan Todd | Embassy Theatre |
| THE BRIGHT AND BOLD DESIGN | Angie Langfield | Embassy Studio |
| ABSOLUTE HELL | Peter McAllister | Embassy Theatre |
| CUTS | Geoff Colman | Embassy Theatre |
| KING LEAR | Anthony Tuckley | Embassy Studio |
| THE INNOCENT MISTRESS | Graham Watts | Embassy Theatre |
| THE CRUCIBLE | Paul Tomlinson | Embassy Theatre |
| A MIDSUMMER NIGHT’S DREAM | Simon Macklin | Embassy Theatre |
| THE LAST ONES | Lily Susan Todd | Embassy Studio |
| TRAINING | ||
| Central School Of Speech And Drama 3 year course | ||
| PEFORMANCE SKILLS | ||
| Accents: RP, London, General American | ||
| FILM | ||
| PRODUCTION | DIRECTOR | |
| THE LAST JAZZ MUSICIAN (short) | Lloyd Handley | |
| THEATRE | ||
| PRODUCTION | DIRECTOR | COMPANY |
| AN IDEAL HUSBAND | Braham Murray | Royal Exchange Theatre, Manchester |
| THE WEDDING PARTY | Lily Susan Todd | Embassy Theatre |
| THE BRIGHT AND BOLD DESIGN | Angie Langfield | Embassy Studio |
| ABSOLUTE HELL | Peter McAllister | Embassy Theatre |
| CUTS | Geoff Colman | Embassy Theatre |
| KING LEAR | Anthony Tuckley | Embassy Studio |
| THE INNOCENT MISTRESS | Graham Watts | Embassy Theatre |
| THE CRUCIBLE | Paul Tomlinson | Embassy Theatre |
| A MIDSUMMER NIGHT’S DREAM | Simon Macklin | Embassy Theatre |
| THE LAST ONES | Lily Susan Todd | Embassy Studio |
| TRAINING | ||
| Central School Of Speech And Drama 3 year course | ||
| PEFORMANCE SKILLS | ||
| Accents: RP, London, General American | ||